It’s said that the patriarchal violence women face gets acknowledged only when it kills her – when a case of domestic or intimate partner violence becomes a case of murder. At what point then do we recognise the violence that patriarchy enacts on men? The NCRB report for 2021, Crime in India, reveals that in 2021, nearly13,000 people killed themselves over love. 64% of these were young men aged 18-30. The fact that men disappointed in love do violence – either to others or themselves has little to do with love and much to do with what men are expected to be. Masculinity is a script each man must play out as a hero, which must end in triumph. Patriarchy tells men they are special and entitled to primacy – but it only celebrates those men who succeed by its narrow standards. Life is an exam question with one right and one wrong answer–dominate or be dominated. If you are not the winner, you are, obviously the loser, worthy of humiliation. To feel anguishe
ABSTRACT In India's censorial climate where debates about pornography exist only in terms of criminality, illegality, and the underground circuit, a feminist and pleasure-positive space has emerged under the aegis of (non-state-sponsored) sex education. In this playing field, the multimedia project and website Agents of Ishq (AoI) has emerged as a major voice in normalizing conversations about sex, pleasure, and even porn. Founded by the feminist filmmaker, artist, and curator Paromita Vohra, AoI carries essays, videos, and images that focus on fostering a community of readers/interlocutors that talk, teach, and learn freely about sex. In a sense, AoI approaches these matters in the same spirit as Vohra does in her filmmaking and her other work. In this interview, Paromita Vohra speaks to us about her films, artwork, AoI, and the effort to create a stigma-free ‘private public’ where people can talk about their desires, pleasure and sexuality. Introduction Speak
'Phir Bhi Dil Hai Hindustani': Shah Rukh Khan As The Symbol Of Indianness SRK’s persona evokes the kind of Indianness that denies categorisation into singular, exclusive identities. And thrives on making others feel welcome. This essay was originally published in Outlook magazine, here. Illustration by Saahil. 01 November 2021 Following the arrest of Aryan Khan, as news and social media began churning out its toxic narrative of Shah Rukh Khan as a traitor and depraved parent, a poem by the poet Akhil Katyal went viral: “Wo kabhi Rahul hai, kabhi Raj/ Kabhi Charlie toh kabhi Max/ Surinder bhi wo, Harry bhi wo/ Devdas bhi our Veer bhi/ Ram, Mohan, Kabir bhi/ Wo Amar hai, Samar hai Rizwan, Raees, Jehangir bhi/ Shayad isliye kuch logon ke halak mein fasta hai/ Ki ek Shahrukh mein pura Hindu stan basta hai.” I too shared the poem on
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