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STATION HALTS: Bombay's Quarter Bars

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This piece originally appeared in Time Out Mumbai, I think in October or November 2004 or 2005. It's a pity their archive is not online.   There’s nightclubs. And then there’s nightlife, that netherworld of the heart, easily unbound by a peg or two. For those who bemoan Bombay’s lack of cafĂ© culture,where have you been? Bombay’s quarter bars – unexceptional, no-class drinking rooms – are full of men, the occasional women, and the moist buzz of a crowd drinking and talking about love, loss, art, stocks, office politics and cosmic truth. They are all here, salesmen, admen, managers, actors, teachers; the overworked, the unemployed, the enigmatically solitary, the habitually melancholic or alcoholic, the naturally gregarious or drunk on one beer, the eternally unrequited, the perpetually hopeful. Not seeing or being seen – just the citizenry, celebrating the bittersweet life and cheap booze.   Like many things in the clickety-clack rhythm of this city’s life, quarter bars are conc

'Phir Bhi Dil Hai Hindustani': Ways of Being Shahrukh

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  'Phir Bhi Dil Hai Hindustani': Shah Rukh Khan As The Symbol Of Indianness SRK’s persona evokes the kind of Indianness that denies categorisation into singular, exclusive identities. And thrives on making others feel welcome.  This essay was originally published in Outlook magazine, here.     Illustration by Saahil.   01 November 2021  Following the arrest of Aryan Khan, as news and social media began churning out its toxic narrative of Shah Rukh Khan as a traitor and depraved parent, a poem by the poet Akhil Katyal went viral: “Wo kabhi Rahul hai, kabhi Raj/ Kabhi Charlie toh kabhi Max/ Surinder bhi wo, Harry bhi wo/ Devdas bhi our Veer bhi/ Ram, Mohan, Kabir bhi/ Wo Amar hai, Samar hai Rizwan, Raees, Jehangir bhi/ Shayad isliye kuch logon ke halak mein fasta hai/ Ki ek Shahrukh mein pura Hindu stan basta hai.” I too shared the poem on

Essay in Outlook: Tumhara Ishq Ishq....? The Double Meanings of Desire, Porn and Erotica

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Tumhara Ishq Ishq…? The Double Meanings Of Desire, Porn And Erotica Not taste and aesthetics, but class and power draw the line between porn and erotica. Exploitation happens everywhere in the world of real-world sex—not just in porn. By Paromita Vohra August 16, 2021 The Other F Word Illustration by Akriti Sharma. Image courtesy Agents of Ishq. Follow them on Instagram @agentsofishq What are we really talking about when we talk about the division between porn and erotica? Why does this division keep returning to our conversations with slippery futility? Perhaps the most succinct essay on the topic can be found in the film Ishqiya (2010). The character Babban, played by Arshad Warsi, says to Khalu, the character played by Naseeruddin Shah: “ Y

IN SEARCH OF 150 ANARKALI

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 Since this article appears in a truncated form on the Mint website - it was first published in a special issue of the paper on the theme Going Home - I'm putting it down here in its full form. The anatomy of a hometown summary PAROMITA VOHRA grew up listening to her father talk about his Lahore. When she visited it for herself, she found the city had become hers too     Changing cityscape :  An old photo of Faletti’s Hotel; (top) one of Pakistan’s many painted trucks. photo-group text BP Print As an Indian Air Force kid, I spent my childhood changing cities, changing homes, changing schools. I studied in Kendriya Vidyalayas and convents, experimental and public schools. Across them all, one thing remained constant. Every year, you had to account for the delicious, elongated torpor of summer holidays, their voluptuous aimlessness, by writing an essay: “What I Did In My Summer Holidays”. Some children did the Heritage of India holiday of course: