Saturday, February 20, 2010

dil toot gaya deewana - so let's do the twist

My grandparents were both in the movies - but very differently. While my grandfather was very famous and is still remembered as an important part of film history, my grandmother is not someone people know of, nor did she do anything that anyone felt must definitely be noted. To a certain extent not even her own family.

She acted in some films until the early 40s and subsequently became a producer, making about 6 films, the last in the 60s.

By the time I came on the scene, she was just my somewhat glamorous and unconventional grandmother who had a cupboard full of wonderful saris and a painted tin box full of internationally acquired handkerchiefs - but more on that cupboard some other time. She played cards each afternoon, and the glowing colours of her plastic counters: pomegranate juice red, emerald green, the yellow of dal barfi, numbers written on them like varq on barfi in fact, seemed to be part of her very kaleidoscopic presence. Other ladies would come to play cards too - producer's wives or mistresses, all in wafting saris, waves of perfume surrounding them like a mysterious force field of adulthood. This was a serious affair, performed every afternoon with ceremony and punctuality.

Perhaps this is why I thought this was my grandmum's work and the counters translated directly into the treasure of loose change that sat on a silver thali in her cupboard (which I freely stole for purposes like buying ber and renting Richie Rich comics from Sarvodya which was in those days just a little lending library on the side of the shop which is today its DVD empire)
It did not occur to me that there may have been another life  - why would it? When you are five you don't really question how things are, unless they aren't the way they are in your house! As a result I never asked much about her past and the things she'd done. Now it's not so easy to try and understand what the things she did meant to her precisely, nor to see their context or their impact on the context
 
I periodically try to find things about her online - searches rarely turn up much. In fact often if I google her name I get tons of hits for my grandfather. She is not known for anything historic - not even for being his wife, as they separated when my mum was 9. Her company Variety Pictures - I wonder whether it's still registered - who owns the rights to the films, where the prints are...was just one of many companies I suppose.

And then tonight, one of those nights when I can't sleep because I have so much to do but feel too paralysed to do it, I did a random search and found a song from a movie Nani produced: Shreeman Funtoosh. Apparently my mum and her cohorts (all kids in the family) would be shown the films on completion as a home grown market research method, to gauge potential audience response - the char anna class as they said. On seeing this supposedly science fiction narrative, they assertively declared that this was jolly good film that was going to be a jolly big hit. It not only bombed, it bankrupted my grandmother and she did not produce a film again. 


However one song in the film was a big hit - yeh dard bhara afsana. It came often on Vividh Bharati - especially on Bela ke Phool and Bhoole Bisre Geet type programs. I was shocked to discover some time later that it was ACTUALLY from a film of Nani's. I mean, it seemed too seriously out there in the world, somehow indicating that the ordinary routines of the house - where my grandmother drank whisky and ordered about 8 things to be cooked for each meal, and I lay about reading comics, were not as reassuringly solid, definitely not the only reality there was. As if she could turn around and say "I could have been a contender."

However, this is not what she said. Rather, everytime the song played my grandmother would snort and say - there's that 64,000 rupee song (that was the budget of the film).
The song picturisation itself I believe is quite impressive. To declare heartbreak while all who are around you do the twist, other than showing panache, suddenly highlights the basically stoical nature of this particular dance form. It is worth each one of those 64,000 rupees to me, even if these are only presented to me in jewel coloured card counters.
It won't upload but you can watch it here:




13 comments:

オテモヤン said...

オナニー
逆援助
SEX
フェラチオ
ソープ
逆援助
出張ホスト
手コキ
おっぱい
フェラチオ
中出し
セックス
デリヘル
包茎
逆援
性欲

SUR NOTES said...

Fantastic post paro.

Can we, by osmosis, lay claim to this 64,000 rs song?
"Heartbroken? Shall I do the twist? My friend's nani made this song for this very occassion..."

parotechnics said...

Hey Surabhi. Thanks.

We should lay claim to it by osmosis. We should reclaim the whole of bloody Bollywood from boys- although of course we'll keep the men ;)

Also we don't have to do the twist because if you note the choreographer has decided to make a smorgasboard peformance and each interlude features a different dance: starts with a foxtrot, then there's the twist and then there's the jive - while one couple swings past in a waltz.

I am already planning to get a gharara stitched for forthcoming moments of heartbreak.

Space Bar said...

lovely post.

i will buy you heartbreak bangles from laad bazaar.

wv: whisc

Anonymous said...

In some circles, at least, your nani is remembered for her duet with Lata-'agre ka ghagro- last reincarnated in a Fardeen Khan starrer.

Perdita said...

Hello, what was you nani's name, boss! Would love to know...my filmi knowledge not so great that I can identify her by these references.

- ChamCham (re-incarnated now as Perdita on http://thousandmiles-perdita.blogspot.com/)

Anonymous said...

Ashalata Biswas

Anonymous said...

Interesting post! After long time you typed something good in this blog!

parotechnics said...

Hello Anonymous - that's true, you're obviously knowledgable, I wonder how :)- and chamcham WB - your question has been answered despite my tardy ways..

perdita said...

BTW finding out about your Nani also explained why you have such a very Bengali name...

Batul said...

Loved this post, keep coming back to it. The twist and the gharara. Two favourite things in one, like chocolate on chocolate. Certain death.

parotechnics said...

Hai main mar jawan - hamara kya hoga Banno!

Deepshikha said...

I wish you write some more about her. I almost relived your experience thru your words. Your Nani, sure appeared mysteriously magnanimous -- needless to say she looked splendid!