parotechnics

If ever a writer had a drawl it is Mohammad Hanif. Whether it was the utterly fantastic, bitterly funny A Case of Exploding Mangoes or this piece on moving back to Pakistan, I always see the narrator leaning against the door frame, a cigarette in his mouth, drawling out the lines, the indolence masking the irreverence. Although we've received it more commonly through American pop culture, this dry drawling style does of course exist as a tradition in the sardonic rhythms of parts of South Asia, in the erudite, ironic observations of litterateurs... It is a glamour-evoking fabulousness indeed as styles go. Walking along the Karachi seafront after returning from London, I worked myself into a self-righteous rage at these young women in black burkas hanging out at the beach when they should have been at school or in some mosque praying for our collective salvation. But then I looked closely and found out that many of them were on a date. Some were actually making out, in broad daylig

I have a piece in the Outlook's annual Bollywood special - which I'd love some feedback on. The theme this year is romance. It's called Love, See Us Into a Hall of Mirrors Writing in something like Outlook is a bit scary because you know anyone, anywhere in the country could read it. Or at least it is now - because I wrote a piece last year and at that time I didn't think too much about it. Only after it came out did I realise how many people read Outlook - I mean felt aware of it actually instead of in some abstract corner of my brain. For a couple years I wrote a column for the Mumbai Mirror. Since those were my years of not taking the Times of India I never actually saw the column in print. As a result I wrote it with a peculiar sense of freedom - I had no sense of it being read by all and sundry and so, no fear of the inevitable shame and scorn that I otherwise live in constant dread of. Then I switched papers. Guess what I don't write anymore? Of course the ni

My house is smelling like America. People always talk about the smell of foreign that used to burst out of people's suitcases when they returned from abroad. But when you finally go to foreign you have your own idea of how it smells I think. The first time I smelled what I think of as the smell of America (to be correct the USA) was about ten years ago, in Crossword, when there was only one Crossword, next to Mahalkshmi temple. I had just started teaching at Sophia college and the occasional honorarium of (then ) Rs.450 seemed good for pleasure only, not the business of daily groceries. So I'd usually go to Crossword and buy a book, take a cab to the station instead of a bus after. And then one day standing like an upside down L in Indian fiction, then a modest shelf or two, I smelled the smell of good coffee, mixed with warm baking mixed with the heady smell of new books. I experienced severe disorientation. This was a smell that I smelled when I went to Louie's in Baltimo