here's looking at you kid
If ever a writer had a drawl it is Mohammad Hanif. Whether it was the utterly fantastic, bitterly funny A Case of Exploding Mangoes or this piece on moving back to Pakistan, I always see the narrator leaning against the door frame, a cigarette in his mouth, drawling out the lines, the indolence masking the irreverence. Although we've received it more commonly through American pop culture, this dry drawling style does of course exist as a tradition in the sardonic rhythms of parts of South Asia, in the erudite, ironic observations of litterateurs... It is a glamour-evoking fabulousness indeed as styles go. Walking along the Karachi seafront after returning from London, I worked myself into a self-righteous rage at these young women in black burkas hanging out at the beach when they should have been at school or in some mosque praying for our collective salvation. But then I looked closely and found out that many of them were on a date. Some were actually making out, in broad daylig...