parotechnics

    This essay for Frontline, June 24 issue, builds on my earlier essay for them, A Different Masculinity/The Loser's Challeng e exploring the interweave of political culture, aesthetics and gender and suggesting a different frame of poetic politics to think about culture (and life). If you prefer to read plain text it is below the pdf version       REINVENTING RAHUL Plain text version   Reinventing Rahul Through this election, a new Rahul emerged: confident, irreverent, assertive, yet accessible. With even Gen Z deigning to call him a “thirst trap”, it is quite the journey from Pappudom.   PAROMITA VOHRA   On June 4, even as election results unfolded a changed political equa- tion, Rahul Gandhi appeared in an intriguing place: the X account @archivedilfs. Expanding the acronym DILF may be more than this venerable journal can bring itself to do. For those who do not know, it stands for what some people might li...

  This essay was written for a special issue of Art India called What Keeps You Awake At Night   Questions are curious things. Except when they’re not.   If there is one question that rings out a death knell in the world of dating (amorous, not historical) it is this: “tell me about you” (most commonly asked by men). It is as if the questioner has no confidence in a question’s poetic ability   to make a connection bloom “as Spring opens (touching skilfully, mysteriously) her first rose.”   As if, unable to bear the ambiguity of a moment that might go in any direction, the asker puts the onus on the other person to reveal themselves and prove they are in fact worthy of attention. It is a faux question, its missing question mark hinting at the absence of what makes a question most potent and alive: curiosity. Curiosity is vulnerable and open. It says I want to know about you, rather than, prove that you are worth listening to.   Qu...

This is a longer version of my weekly column Paronormal Activity.       The finale of Koffee with Karan, in a season that set the bar low, featured Zeenat Aman and Neetu Singh. I wondered as I watched the strangely staccato proceedings, whether it was just because one Fabricare couch is not enough for two big lives? My mind kept going back to the more fluid fun in what is one of the show’s all-time best episodes – the finale of season 1 which also featured Zeenat Aman with Hema Malini. Even at the time they had seemed cooler than everyone else who had featured so far. Not only because they had the easy confidence of those who had led multi-layered lives and adventurous ones at that. But also, unlike the others, they no longer had any skin in that game. Their irreverence ran deeper, alluding to the discriminations and sexual exploitation they had survived in an unabashedly male-dominated industry.   That male domination was on full display in a Season 3 episode fe...